New PDF release: Architectural Acts: Architect-figures in Athenian drama and

By Landrum, Lisa

Show description

Read or Download Architectural Acts: Architect-figures in Athenian drama and their prefigurations (Ph.D., McGill University) PDF

Similar drama books

New PDF release: Love's Labour's Lost (The Complete Shakespeare Translated by

It's a Bilingual version of chinese language and English.


Get O Homem como Invenção de Si Mesmo: Monólogo em Um Ato PDF

The literal translation of the name will be anything like "The guy as a self invention: Monologue in a single act". It's a 2012 play by means of one of many largest names in Brazilian's twentieth century poetry, Ferreira Gullar, the writer of "Dirty Poem" (here on Bib there's an English translation of it).

'Tis pity she's a whore : a critical guide by Lisa Hopkins PDF

John Ford's tragedy 'Tis Pity She's A Whore used to be first played among 1629 and 1633 and because then its topics of incest, love as opposed to responsibility and forbidden ardour have made it a broadly studied and played, if arguable, play. This consultant deals scholars an creation to its serious and function heritage, together with television and movie diversifications.

Extra info for Architectural Acts: Architect-figures in Athenian drama and their prefigurations (Ph.D., McGill University)

Example text

1 Exasperated by incessant war, which by its disruptions has undermined common revelry and agricultural prosperity, Trygaeus, a farmer, chooses at the start of this play to mount a giant flying dung-beetle—a modified stage machine. Upon this dramatic device, the unlikely hero soars up to the heavens, thus taking his concern for society’s well-being directly to the highest authority: Zeus. ” (58). After his spectacular ascent, however, Trygaeus is surprised to learn that Zeus and all the Olympian divinities have vacated their ethereal premises.

More generally, see Scranton (1960). Earlier than all of these inscriptions, however, is a line from Aeschylus’ fragmentary Dikē play (possibly of 476 BCE), in which the office of Justice (daughter of Zeus and sister to Peace) is, arguably, put in terms of architecting. See below, p. 115-21. 72 On instances of architectural theory emerging in the context of craftsmanship and pre-Socratic philosophy (notably of Anaximander), see McEwen (1993). 1 In the previous chapter, I introduced aspects of the architectural situation in Athens at the time of Peace’s performance and suggested ways in which Trygaeus’ performance participated in that situation while at the same time participated in metaphoric, mythic and ritual situations beyond it.

He explains that Peace began to perish when Pheidias and Pericles got into “trouble” (604-16). Who, then, were Pheidias and Pericles? What was their “trouble”? And, how does Hermes’ interpretation of these events bear upon our interpretation of Trygaeus’ architecting? 62 What 60 hō sophōtatoi geōrgoi, 603. See Olson’s note to this line regarding the textual difficulty with “wise” (sophōtatoi). Not all editors accept this adjective. 12; and a historic fragment of Philochorus, FGrH 328. F 121. Sommerstein’s note to these lines gives a good summary of Pheidias’ relevant work.

Download PDF sample

Rated 5.00 of 5 – based on 27 votes