By Ralph Lee Smith
This publication describes the restoration of the Appalachian dulcimer's misplaced heritage, tracing the dulcimer's roots in a German software, the scheitholt; describing the early historical past of the scheitholt and the dulcimer in the USA, and outlining the advance of targeted dulcimer types in Virginia, West Virginia, North Carolina, and Kentucky. This totally revised and improved variation presents more information in regards to the instrument's heritage earlier than the Civil battle and discusses traditions and kinds which are nonetheless being came upon and documented.
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Extra info for Appalachian Dulcimer Traditions
17. ” By Joseph Hart (1712–1768). 18. ” By Philip Doddridge, 1755. In the next chapter, we will follow three great migrating groups—the Germans, English, and Scotch-Irish—from the Eastern Seaboard to the frontier, where they all played roles in the history of the dulcimer. Germans took the scheitholt with them, and the English and Scotch-Irish liked what they saw. 3 ò Early Traces and Trails T he quest for land shaped much of American history. The earliest arrivals got the best land, or the most.
Remarkably, dulcimers, at 39, were next! The earliest ones were recorded in 1818, in both Bedford and Franklin counties. Equally interesting, there were no banjos listed. Perhaps homemade banjos existed but were regarded as having too little value to include in the inventories. Three counties—Franklin, Wythe, and Grayson—together accounted for 32 of the 39 dulcimers. The crest of the Blue Ridge approximately follows today’s Blue Ridge Parkway, with Franklin County lying along the Blue Ridge’s eastern slopes, and Grayson and Wythe lying in and across the mountains.
Before taking the picture, the collodion-coated plate was sensitized with silver nitrate. After the picture was taken, the plate was placed in a fixing bath to stabilize the image and prevent further exposure. When the plate was immersed in a bath of potassium cyanide, the image appeared in about 30 seconds, as if by magic. And it didn’t come off. From 1853 until the 1880s, when newer photographic methods largely supplanted tintypes, itinerant tintype photographers roamed the land, taking thousands of images and selling them for 10 or 15 cents each.